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As Amar Prem turns 50, we revisit Sharmila Tagore's stylised but supremely seductive performance that holds the mutating plot together. If I had to pick one Hindi film as my all-time favourite it would have to be Shakti Samanta's Amar Prem. From its opening montage of a young rustic girl watching her callous husband bring home another wife, to the dying moments when the woman, now in her twilight years, is taken away to the relative comfort of her foster son’s home as the festivities of Durga Puja break out on the streets of Kolkata… Amar Prem is a glorious homage to that favourite Bollywood archetype: the golden-hearted prostitute. That Sharmila Tagore plays the woman whom men of all ages gravitate to in pursuit of some life-changing nurturing is a very happy situation for the screenplay. In the film a 7-year old boy and a 30-plus man both desire the same kind of emotional attention from her. This prostitute is not about sex. She is about soul. Sharmila brings to this timeless

Badal Roy passes away: How the Bangladeshi tabla virtuoso pioneered Indian classical music-influenced jazz albums Badal Roy, a Bangladeshi tabla player whose drumming propelled East-West fusions for some of the most prominent musicians in and out of jazz, died on Tuesday in Wilmington, Delaware. He was 82. Badal Roy, a Bangladeshi tabla player whose drumming propelled East-West fusions for some of the most prominent musicians in and out of jazz, died on Tuesday in Wilmington, Delaware. He was 82. His son, Amitav Roy Chowdhury, said the cause was COVID-19. Roy was largely self-taught. He was not trained in the Indian classical apprentice tradition of gurus and disciples. Where classical tabla players use a pair of differently tuned drums, Roy sometimes used three or four. His improvisational flexibility and his skill at sharing a groove made him a prized collaborator for jazz, funk, rock, and global musicians. He first became widely known for his work in the early 1970s with English gui